Live debuts by two incredible bands that a lot of people had waited a lot of time to see. Seeing Obituary was like a 15-course meal of decomposing meat, a pudding of sludgy shit, along side a nice glass of fresh blood. Not unprofessional, just not there for any other reason than to have a blast and play some heavy riffs with each other. Five dudes standing round having a great time, big breaks in between songs while they chug on beers and talk shit between themselves. While its important to note that they did sound tight as hell, I’d like think that their early shows weren’t too different to what we saw tonight. Tardy’s hair is in more places on the stage than it isn’t. Their riffs are so groovy I couldn’t help but to dance along. The whole show I was sporting a shit-eating grin. Tipper Gore would have had a field day with these boys. It’s a synthetic kind of scary but as soon as I hear it I’m pulled into a world of ghouls, rotting flesh, and death. But in that same way that John Carpenter’s Halloween is menacing. The only other vocalist I can think of that sounds remotely similar is Chuck Schuldiner of Death (RIP Chuck). He sounds like how I imagine Jason from the Friday the 13 THfilms had be been able to speak. His voice is really the biggest draw here. John Tardy’s vocal was perfect, just like the albums, even their early albums. Their guitars sounding like chainsaws, particularly disgusting and sludgy. It sounds like a bunch of rednecks stomping around, a drinking song if I’ve ever heard one. They open their set with Redneck Stomp, a song that is almost onomatopoeic. It was what it was, and it was ultra-violent. I’m not even going to try to decipher the set. For most of their set I didn’t even know what was going on, but rather just tried to take it all in. Wormrot is the band our parents warned us about. It contains an ever-expanding collection of primary-source full-text articles from the music and mainstream press from the 1950s to the present day, along with a collection of exclusive audio interviews. By the reaction of the audience, half of the crowd might have been there just to see them. Rocks Backpages is the worlds most comprehensive online database of pop music writing, a unique resource unavailable elsewhere online.
Opening up the evening, Wormrot, a three-piece grindcore band from Singapore. They’re touring their 1990 classic Causes of Death album, along with other well-loved songs from their discography. A whole new generation of death-metal bands like Undeath and Mutilatred is coalescing. I’d be lying if I told you I’ve always been a massive fan of Obituary, but they’re undeniably one of the death metal greats. The popularity of death metal and deathcore has ebbed and flowed throughout each genre's respective histories, but right now they're both experiencing boom times. And the packed out crowd at The Studio drank it up. But they were soon overshadowed by the death metal movement, and folded in.
I doubt any Death Metal album will ever be able to top Evangelion, or Behemoth in general, for me.Obituary was like a 15-course meal of decomposing meat, a pudding of sludgy shit, along side a nice glass of fresh blood. Lots of line - up changes didn't stop them from going strong into the 90's. The instrumentation is flawless, and I don't think I even need to say anything about Nergal's vocals. It's loud, it's fierce and it is god damn evil. Even though The Satanist is a masterpiece as well, and Zos Kia Cultus was the album that got me into Death Metal, Evangelion is Behemoth's sound at its peak. Searching for Vintage OBITUARY Tshirt Death Metal Band Thrash Metal 90s Obituary Cause Of Death Devil Bones Skull Black Concert Tour Tshirt Size L Weve. In the end, however, I had to go with Evangelion. They have yet to release a dud, so picking just one album from their massive discography was no easy task. There was only one band that could have possibly occupied this spot: the mighty Behemoth. Here we are, at last, the number one spot.